This is the place where I share my stories, experiences, discoveries, and joyful pleasures with you as I make my rambling course to enlightenment. I have many interests, including books, music, movies, board games, science, technology, roller coasters, football (the round ball one) especially Flamengo and BRASIL, basketball (#HeatNATION), and more. I also try to stay current about things going on in the world.
This is quickly becoming real as I get feedback from beta readers on Goodreads. It's weird that the third novel I start writing is the first one complete, but the others are much bigger in scope. Anyway, it still might change, but this is what it is now.
Here is the blurb of my new novel:
Bartholomew Barrington, a troubled young man of the Gilded Age, is beset with difficulties of every kind, amplified by his angst of being part of the leisure class that he despises. His dysfunctional family is rocked by the death of their father and its perilous aftermath. Bartholomew's struggle is to grow in this turmoil of loss and danger, surrounded by an environment of greed and despair, murder and lust, but first he must survive.
Protagonist: Bartholomew Barrington - an economist and a card-shark of dubious morality.
Antagonist: Nona “Sapphie” Barrington - heiress and trendsetting star of Ziegfeld Follies, a woman who is used to getting her own way.
Antagonist: Sterling Barrington - The new Lord Barrington, a greedy sadistic man whose greatest pleasure in life is to see his younger brother suffer in pain and shame.
I recognize we all turn to books for different entertainment. My tastes are across a wide spectrum that I know that many do not share, so to protect those who do not want to read content that is offensive, I will describe possible issues in advance, so you can decide if you would like to read or not.
PG: Adult situations of violence but no gore nor mature language, however not YA. Includes psychological terror and characters of questionable morality.
Drugs: Alcohol and Laudanum are imbibed.
Sex: Not very much and that which exists is mostly mind games, but there are some odd dreams that reveal character defects.
Violence: Some, but (again) very little gore.
Psychological Terror: Quite a lot really. I would be very pleased to be responsible for some nightmares.
Wazimbo's "Nwahulwana" Found this on a German site: Warum wanderst du von Bar zu Bar? (“Why do you wander from bar to bar?”) So, the first time I heard this I thought I recognized some Portuguese, but it’s illusory; the language is actually Ronga. I suppose it was just the echoes of Brazilian music. I found, though, a translation into Portuguese, which I will translate to English, but here’s the thing: this transcription of the words isn’t correct. Also, I’m almost certain I hear “vôce” which means “you” in the lyrics. First, “nwahulwana” itself is a soft expression for prostitute, hence “night bird” is the poetic meaning. I thought it was a love song. My wife thought it was a prayer (probably because of the way Wazimbo lifts his eyes to the sky when he sings “Maria”). So, it is something like this, but there are mistakes, because the lines don’t match up. Also, I wonder if he is singing “Nwahulwana” when the song starts - . It’s hard to know since I don’t
SCRIPT ABBREVIATIONS ELS extreme long shot MLS medium long shot LS long shot MS medium shot MCU medium close-up CU close-up ECU extreme close-up OS over-the-shoulder shot 2-S or 3-S two-shot or three-shot POV point of view shot ZI or ZO zoom in or zoom out INT interior EXT exterior SOT or SOF sound on tape or sound on film BG background SFX or F/X special effects (can be either sound or visual) VO voice-over OSV off-screen voice DIS dissolve MIC microphone VTR videotape Q cue (as in cue talent) ANNCR announcer SUPER superimposition
The Handmaid's Tale by Margaret Atwood My rating: 5 of 5 stars Margaret Atwood’s The Handmaid’s Tale is brilliant literary science fiction. I will discuss the literary aspects of it in a moment, but first it’s important to place it squarely in the domain of science fiction. First, under Darko Suvin's definition of sci fi, the question is whether there is cognitive strangeness and nova. They are very apparent, specifically the new assignment of gender roles, along with the reason they exist. The nova introduced are ecological disasters, an enormous rise in failure to Gileadeans to sexually reproduce, and the imposition of a fundamentalist government that divides women by their function, entirely controlling them. We know (again from the lecture) that Atwood was responding to societal changes, such as the rise of the Moral Majority, which lends a spooky plausibility to the strangeness, making it not so strange and that much scarier. Delany's definition is wider. He as